Scientific Views of Thinkers on Rubob Performance
DOI:
https://doi.org/10.51699/cajlpc.v4i6.895Keywords:
Music culture, rubob performance, folk music, traditional performanceAbstract
This article describes the opinions of oriental scholars and musicologists of the last century on the theoretical and practical importance of playing the rubab.
References
1. A.I. Petrosyans "Cholguhunoslik" 3 editions. Tashkent, "Teacher", 1995.
2. I. Akbarov. "Dictionary of music". Tashkent-1987.
3. Fitrat A. Uzbek classical music and its history, Tashkent, Fan, 1993.
4. Odilov A. History of performance on Uzbek folk instruments. Tashkent, "Teacher" 1995.
5. Uzbek folk music, Tashkent, volume 1, 1955.
6. Takhalov S. "Fundamentals of the methodology of teaching the Afghan rubo". Tashkent. "Teacher" 1983.
7. Kasimov R. "Rubob navolari" Tashkent. 1993.
8. Usmanov Q. "Elementary Rubob Darsligi" 1 edition Tashkent, "Teacher". 1995.
2. I. Akbarov. "Dictionary of music". Tashkent-1987.
3. Fitrat A. Uzbek classical music and its history, Tashkent, Fan, 1993.
4. Odilov A. History of performance on Uzbek folk instruments. Tashkent, "Teacher" 1995.
5. Uzbek folk music, Tashkent, volume 1, 1955.
6. Takhalov S. "Fundamentals of the methodology of teaching the Afghan rubo". Tashkent. "Teacher" 1983.
7. Kasimov R. "Rubob navolari" Tashkent. 1993.
8. Usmanov Q. "Elementary Rubob Darsligi" 1 edition Tashkent, "Teacher". 1995.
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Published
2023-06-11
How to Cite
Khayrullaevich, K. N. . (2023). Scientific Views of Thinkers on Rubob Performance. Central Asian Journal of Literature, Philosophy and Culture, 4(6), 47–51. https://doi.org/10.51699/cajlpc.v4i6.895
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