Features of Hamza’s Dramas
Abstract
This article delves into the role of folk theater in the works of Hamza Hakimzoda Niyoziy, an influential figure in Uzbek literature who integrated the traditions of folk theater into his dramatic works. Hamza's engagement with oral folk art and folk songs deeply influenced his dramaturgy, particularly in the context of his plays such as Maysara's Case, which highlight social issues through humor and resourceful characters. Although the connection between folk theater and Hamza’s dramaturgy has been explored, the full extent of folk motifs and their integration into his works has not been extensively examined. The study aims to explore the impact of folk theater on Hamza’s dramatic style, examining how he used folk melodies, language, and comedic structures to reflect social realities. The analysis reveals how Hamza’s dramas, including Maysara’s Case and Punishment of Slanderers, use folk elements to satirize social vices like corruption and the moral decay of officials while promoting progressive social values. This work highlights the fusion of folk traditions with early modern dramaturgy, marking a significant shift in Uzbek theater. The findings underscore the importance of folk theater in shaping national identity through literature and drama, suggesting further research into how folk forms continue to influence contemporary Uzbek writing.
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